Nostalgia and passion fuel a young couple who run an old-school photo lab

12
Jan 25
By | Other
Fritz Pinnow Fabriccio Díaz is loading film into a camera that was made in the 1930s, which he was allowed to borrow from a camera shop and try out. Fritz Pinnow

“It all started as a little passion project,” says Fabriccio Díaz, 28, who with his wife Lucía Ramírez, 25, runs the only fully functional photographic film development lab in Central America from their apartment in Guatemala City.

“We now have over 60 customers a month and have developed over 800 rolls this year alone,” he adds.

Fritz Pinnow Fabriccio Díaz and Lucía Ramírez hug in their kitchen where they develop the entire film for Arca Film Lab. On the table in front of them, bottles of chemicals can be seen and rolls of film hang to dry. Fritz Pinnow

Arca Film Lab has been in high demand this year and is the only photographic film development lab in Central America that develops any type of analog photographic film, which involves the rather complicated process of developing positives in a process known as E- 6.

Fabriccio, who studied cinematography, explains that the great inaccessibility of high-quality film development services in Central America gave him the crucial first push to learn how to develop his first film.

Fritz Pinnow Fabriccio Díaz, wearing a baseball cap backwards, is moving the container of developing film around so the chemicals mix evenly with the roll of film.Fritz Pinnow

“When we started experimenting and developing film in our apartment, friends started asking us to develop film for them and everything kind of took off,” recalls Lucía.

And so, Arca Film Lab was born in September 2023 as a simple Instagram page offering film development services in Guatemala.

Fritz Pinnow Fabriccio Díaz stands in front of a mirror in his bathroom unfolding a newly developed slide (positive) film (PROVIA100F). Fritz Pinnow

The couple taught themselves most of the skills needed to develop the film by watching YouTube videos and contacting other film labs internationally for advice.

“We were surprised that so many people answered our questions. Many veterans in the world of photo development helped us by sharing their experiences and tricks. We are really grateful for that,” says Fabriccio.

Fabriccio and Lucía’s love for photography is not limited to film development. The couple also organizes “photo walks” in which a group of people gather together in Antigua, Guatemala’s old city center, to take pictures and experiment with old analog cameras.

Fritz Pinnow Fabriccio Díaz and Lucía Ramírez are loading film into a camera that was made in the 1930s, which they were allowed to borrow from a camera store and try out. Fritz Pinnow

For young analog photography enthusiasts like Iván Ortiz, 22, shooting photos with a camera that’s older than him gives him something that modern cameras can’t compete with.

“It’s like being nostalgic for a generation we were never part of,” he tells the BBC.

Iván says that older people don’t always get the latest buzz about old cameras and film. “They just don’t understand our perspective,” he explains.

“We live in a world where everything is digital and fast. Through analog photography, I have to make conscious decisions about my photos and focus only on the act of photography. And the best part of it is that you have something physical file afterwards, and not just another data file,” he adds.

Having physical photos to keep is also something that Steven López from the US points out as an advantage of analog photography.

Fritz Pinnow Steven López, wearing shorts and carrying a camera bag, stands in front of a building on his way to take photos during his trip through Central America. In his hands, he holds his trusty analog cameraFritz Pinnow

The 33-year-old is traveling through Central America to document the last traces of Mayan culture and always carries a 35mm analog camera with him.

“Photography and especially analogue photography is just the best way to document and experience cultures. Every time I come back from traveling and get the developed film it’s like Christmas!” he tells the BBC.

Fritz Pinnow Steven López looks through the viewfinder of his analog camera in Antigua, Guatemala.Fritz Pinnow

The community of analog photography enthusiasts in Central America may be growing rapidly, but the challenges are greater than elsewhere.

“It’s really hard to get analog cameras here, and it’s even harder to keep them in good condition,” explains 26-year-old Ronald Ottoniel, who went to the photo walk to buy new rolls of film and return others to be done. developed.

Fritz Pinnow Ronald Ottoniel, wearing a fur hat and thick-rimmed glasses, is loading his new film into his camera in a plaza in Antigua. Pigeons can be seen on the ground in the background.Fritz Pinnow

And there are other obstacles.

Fabriccio and Lucía explain that the process of purchasing and importing the chemicals needed to develop the positive film has been extremely complicated, because the import of these chemicals is closely monitored by the state and requires special permits, which has made it an ordeal painfully long.

“A lot of other labs don’t offer E-6 processing just because it’s so complicated to import the chemicals,” says Fabriccio.

Fritz Pinnow Fabriccio Díaz is working on his computer in the room of their apartment that has been converted into an office. In the foreground, rolls of film are hung to dry. Fritz Pinnow

Their business may be expanding, but Fabriccio and Lucía are determined to make sure it doesn’t lose the personal touch and passion that inspired it in the first place.

Lucía explains how sometimes customers “put some sweets in the packages they send us and sometimes we send a handwritten note”.

Fritz Pinnow Sometimes customers who send their movies also send sweets little notes. Lucia holds one of the sweets that came in one of the small packages sent by the customer. Fritz Pinnow

“It is important for us that this is not a mass production business, but every customer [treated as] an individual,” she adds.

All over the world, photo labs use huge machines that develop film almost completely automatically, but in Fabriccio and Lucía’s simple apartment, the process is very “hands-on”.

Fritz Pinnow Fabriccio Díaz holds a newly developed slide film (negative) (CineStill 800T) against the light in the bathroom. The film has a picture of him and Lucia. Fritz Pinnow

For color and positive film (E-6), the temperature of the chemicals and the time the film is exposed to them must be just right, otherwise the entire film will turn out bad.

“The beginning was definitely not easy with this whole process, but after developing over 800 films, these processes come as second nature to us,” recalls Fabriccio.

“But the first time we developed the positive films, the E-6 process, we were very nervous because we had invested so much in the chemicals and the roll. But when it turned out well and we were able to see these vivid colors of the positive film it’s always very exciting “, he adds.

Another indispensable member of the Arca Film Lab is Toto, the four-month-old cat who, according to Fabriccio and Lucía, is responsible for quality control and is brought around throughout the development process.

Fritz Pinnow Lucía Ramírez high-fives her cat Toto while waiting for the film to react with the chemicals.Fritz Pinnow

The rolls of developed film are then transferred from the kitchen to the bathroom, as it is the dustiest space in the house.

There they dry, to be scanned later on a high-resolution Nikon scanner, which Fabriccio says is the highest-resolution film scanner in Central America.

Fabriccio and Lucía have now expanded to El Salvador, where they regularly collect and sell films.

Fritz Pinnow Fabriccio Díaz, Lucía Ramírez and Toto are looking at a photo of themselves from a roll they had developed just moments before.Fritz Pinnow

The young couple remain ambitious and in the future, they say they hope to build a strong relationship with CineStill and Eastman Kodak and expand into motion picture film development, which will include a complicated process known as ECN-2. .

“It is my dream to revitalize the classic cinematography scene here in Central America! We have so much expertise and enthusiasm of talent to offer the world. (…) with Arca Film Lab we have started a movement that we want to push further and further”, says Fabriccio.

All photos by Fritz Pinnow and subject to copyright.

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